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Association of Research Institutes in Art History

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Center for Advanced Study in the Visual Arts (the Center)

National Gallery’s Center for Advanced Study in the Visual Arts Announces New Publication, Art &

The Center for Advanced Study in the Visual Arts (the Center), the National Gallery’s world-renowned research institute, recently announced Art &, its new book series aimed at understanding the role of art and artists in imagining a dynamic social fabric. The first volume, Art & Histories, was published on January 13, 2026. The second volume, Art & Water, will be published on July 7, 2026. Future volumes will be published annually in the summer. Each edition of Art & will invite artists and scholars to explore a central topic—histories, water, dreaming, and more—and how artistic practices, both past and present, shape society’s relationships to these issues. Academic exploration of the topics will be accompanied by an original, commissioned work of art created specifically for the book and in response to its theme. “As a series, Art & is an invitation to think about art together with the issues it shapes through material and imaginative expressions,” said Kaira M. Cabañas, the Center’s associate dean for academic programs and publications. “The ampersand in the title is intentional both typographically and conceptually. By foregrounding ‘&’ in the title, the series signals how art does not stand alone but is always already entangled with people, ideas, materials, networks, and communities, aligning with the National Gallery’s mission to welcome all people to explore and experience art, creativity, and our shared humanity.” Art & Histories features essays by Seeta Chaganti, Lisa Gail Collins, Lorraine Mendes and Igor Simões, Wanda Nanibush (Anishinaabe, Citizen of the Beausoleil Nation), Juno Richards, and Erhan Tamur, with an original work of art by Glexis Novoa. Art & advances the Center’s contributions to the scholarly community by including the perspectives of authors of varying generations and at different points in their careers, as well as from different parts of the country and the world, encouraging and introducing the future of art-historical scholarship in a widely available context. Each volume will be published simultaneously in print and open-access digital editions. Art & will be published by the National Gallery of Art and distributed by Yale University Press. Purchase your copy of Art & Histories today: https://yalebooks.yale.edu/book/9780300290387/art-and-histories/

March 12, 2026
Smithsonian American Art Museum

A Lecture in Honor of William H. Truettner

In Tribute: Remarks Honoring William H. Truettner Friday, March 27, 4–5 p.m. McEvoy Auditorium, SAAM Free | Registration required at https://events.blackthorn.io/en/5f4ZMUx7/in-tribute-remarks-honoring-william-h-truettner-5a2bVR2O3Rp/overview The Smithsonian American Art Museum (SAAM) invites you to join us for a special talk honoring William H. Truettner (1935–2025), whose nearly fifty-year tenure as curator of painting and sculpture at SAAM left an indelible mark on the field of American art. The talk will be delivered by Dr. Alexander Nemerov, Carl and Marilynn Thoma Provostial Professor in the Arts and Humanities at Stanford University. Following the lecture, a reception will celebrate Bill’s enduring legacy of scholarship and mentorship. Please note: the lecture will not be recorded or livestreamed. About William H. Truettner: William ‘Bill’ H. Truettner (1935–2025) was a trailblazing curator and scholar. Over nearly five decades at SAAM, he organized landmark exhibitions including “The West as America: Reinterpreting Images of the Frontier, 1820–1920” (1991), “Thomas Cole: Landscape into History” (1994), and “Picturing Old New England: Image and Memory” (1999). He published on the art of Frederic Edwin Church, Thomas Wilmer Dewing, John La Farge, the Taos School and the art of New Mexico, the colonial revival, and regionalism. His books include The Natural Man Observed: A Study of Catlin’s Indian Gallery (1979) and Painting Indians and Building Empires in North America, 1710–1840 (2010). Beyond his own scholarship, Bill mentored more than one hundred SAAM research fellows, forging lasting connections between the museum and the academic community. About Dr. Alexander Nemerov: Alexander Nemerov got his start as a published author with an essay for William Truettner’s The West as America: Reinterpreting Images of the Frontier: 1820-1920, the catalogue to the 1991 exhibition. The Carl and Marilynn Thoma Provostial Professor of the Arts and Humanities at Stanford, Nemerov has returned to SAAM many times over the years and regards it as a home, thanks to the generosity of those he met there, foremost his mentor, Bill.

February 17, 2026
Smithsonian American Art Museum

SAAM Announces Faye Raquel Gleisser as Winner of the 2025 Eldredge Prize

The Smithsonian American Art Museum is delighted to announce that Dr. Faye Raquel Gleisser, associate professor at Indiana University, has been awarded the Charles C. Eldredge Prize for her book Risk Work: Making Art and Guerrilla Tactics in Punitive America, 1967–1987 (University of Chicago Press, 2023). The annual Eldredge Prize, named in honor of the museum’s former director (1982–1988), recognizes originality and thoroughness of research, excellence of writing, and clarity of method. Single-author, book-length publications in the field of American art history appearing within the previous three calendar years are eligible. This year’s jurors were Karen Mary Davalos of the University of Minnesota, Twin Cities; Richard Meyer of Stanford University; and Amy M. Mooney of Columbia College Chicago. The jury described Risk Work as a “gamechanger” noting that “through the lens of ‘punitive literacy’ and with bold pairings of well-known and understudied artists, Gleisser presents an original rethinking of the relational, embodied, and situated knowledge that informed artistic and performative practice in the United States from the late 1960s to the late 1980s. This turbulent period, marked by social and political revolutions, the advent of for-profit carceral institutions, and advances in surveillance technology, resulted in a profound expansion of policing and prosecution. Gleisser persuasively argues that the police state is a structural field that shapes artists’ creative decisions and that the artist’s race, class and gender inform their punitive literacy, which in turn shapes their art.” The trio also commended Gleisser’s interdisciplinary approach that “draws together art history, performance studies, black feminism, queer of color critique, legal studies, and carceral studies, to show how guerilla art between 1967 and 1987 requires attention to punitive literacy.” Shortlisted for the 2025 prize were: Katie Anania, Out of Paper: Drawing, Environment, and the Body in 1960s America (Yale University Press, 2024); Emilie Boone, A Nimble Arc: James Van Der Zee and Photography (Duke University Press, 2023); Lisa Gail Collins, Stitching Love and Loss: A Gee’s Bend Quilt (University of Washington Press, 2023); and Tatiana Reinoza, Reclaiming the Americas: Latinx Art and the Politics of Territory (University of Texas Press, 2023). In conjunction with the award, Gleisser will present the Eldredge Prize virtual lecture on Thursday, December 11, 2025. Please register for it at events.blackthorn.io/5f4ZMUx7/5a2bVR21ScD.

December 18, 2025
Smithsonian American Art Museum

Smithsonian American Art Museum Announces 2025–26 Fellowship Appointments

SAAM will welcome twenty fellows for the 2025–26 academic year. Among this year’s cohort are four senior scholars, two postdoctoral fellows, twelve predoctoral fellows, and two Smithsonian Artist Research Fellows. Utilizing the Smithsonian’s vast collections, they will research the impact of music on the visual arts, works of craft produced by Black artists and artisans, artist-built environments in landscapes slated for urban development, and more. A directory of appointees that includes their project abstracts is available at https://americanart.si.edu/search/fellows?content_type=fellow&begin_year=2025. Diane Ahn, SAAM-APAC-Terra Predoctoral Fellow in Asian American Art, Massachusetts Institute of Technology Allison Bigelow, George Gurney Senior Fellow, University of Notre Dame Rose Bishop, Big Ten Academic Alliance/Smithsonian Institution Predoctoral Fellow, University of Southern California Kim Bobier, Smithsonian Institution Postdoctoral Fellow, Pratt Institute Matthew Bowman, Wyeth Foundation Predoctoral Fellow, University of Iowa Gabrielle Christiansen, Douglass Foundation Predoctoral Fellow, Northwestern University O.M. Comstock, SAAM Predoctoral Fellow in American Craft and Big Ten Academic Alliance Smithsonian Fellow, University of Minnesota Jesse Dritz, Smithsonian Institution Predoctoral Fellow, Boston University Tatiana Flores, Helen Frankenthaler Foundation Senior Fellow, University of Virginia David R. Harper, Smithsonian Artist Research Fellow, School of the Art Institute of Chicago Janina López, Will Barnet Foundation Predoctoral Fellow, University of Pittsburgh Julia Modes, Audrey Flack Short-Term Postdoctoral Fellow, University of Arts and Design Karlsruhe Andrew Hansung Park, Big Ten Academic Alliance/Smithsonian Institution Predoctoral Fellow, University of California, Los Angeles Taylor Rose Payer, Betsy James Wyeth Predoctoral Fellow in Native American Art, University of Minnesota Casey Reas, Smithsonian Artist Research Fellow, University of California, Los Angeles Clara Royer, Smithsonian Institution Predoctoral Fellow, Université Paris 1 Panthéon-Sorbonne Joseph Semkiu, Big Ten Academic Alliance/Smithsonian Institution Predoctoral Fellow, University of Southern California Hampton Smith, Joe and Wanda Corn Predoctoral Fellow, Massachusetts Institute of Technology Nicole Woods, William H. Truettner Senior Fellow, Loyola Marymount University Allison Young, Patricia and Phillip Frost Senior Fellow, Louisiana State University and A&M College, Baton Rouge Since 1970, SAAM has provided 809 scholars with financial aid, unparalleled research resources, and a world-class network of colleagues. Former fellows now occupy positions in prominent academic and cultural institutions across North and South America, Asia, Australia, the Caribbean, and Europe. Learn more at https://americanart.si.edu/research/fellowships.

October 7, 2025
Smithsonian American Art Museum

Smithsonian American Art Museum (SAAM) Fellows Lectures: May 7, 8, and 9

Come hear the 2024–2025 SAAM Fellows present new scholarship on a range of topics and time periods, media, and messages. This multi-afternoon program will highlight a new generation of scholars who are engaging the Smithsonian's collections and archives in order to tell new stories about American art. View the full program and register to attend the talks, in person or online, at AmericanArt.si.edu/fellowslectures. Wednesday, May 7 Session I: 1–2:45 p.m. ET Moderated by Karen Lemmey, The Lucy S. Rhame Curator of Sculpture, Smithsonian American Art Museum Joseph Mizhakiiyaasige Zordan, Terra Foundation for American Art Predoctoral Fellow, Harvard University “The Wound of Memory: Domesticity, Memorialization, and Settler Identity in Early Eighteenth Century Massachusetts” Elizabeth Keto, Joe and Wanda Corn Predoctoral Fellow, Yale University “The Chattahoochee Brick Company and the Material Culture of Slavery's Afterlives” Michelle Donnelly, Helen Frankenthaler Foundation Predoctoral Fellow, Yale University “Grounds of Removal: Matsusaburo ‘George’ Hibi's Incarceration Camp Prints” Session II: 3:15–5 p.m. ET Moderated by Eleanor Jones Harvey, senior curator, Smithsonian American Art Museum Brandon O. Scott, Smithsonian Institution Predoctoral Fellow, Massachusetts Institute of Technology “‘And a Long Sand Road’: Longleaf Pine and the Landscape of Abundance” Marcelo Gabriel Yáñez, Smithsonian Institution Predoctoral Fellow (at the Archives of American Art), Stanford University   “The Disappearance of Landscape: Artists on Fire Island, 1937–1983”  Olivia Armandroff, George Gurney Predoctoral Fellow and Smithsonian Institution Predoctoral Fellow, University of Southern California “‘After Devastation, Something Positive Will Come’: Toshiko Takaezu's Lava Forest and Cyclical Processes of Regeneration” Thursday, May 8 Session III: 1–2:45 p.m. ET Moderated by Saisha Grayson, curator of time-based media, Smithsonian American Art Museum Margot Yale, Wyeth Foundation Predoctoral Fellow, University of Southern California “‘The Poetry of the Shipyards’: Emmy Lou Packard and Social Unity on the Wartime Shop Floor” Isaiah Bertagnolli, Douglass Foundation Predoctoral Fellow, University of Pittsburgh “The Artist’s Arsenal: How Barbara Donachy Made the Arms Race Tangible” Sarah Myers, Patricia and Phillip Frost Predoctoral Fellow, Stony Brook University “‘If There is No Dancing at the Revolution’: Carnival Knowledge and The Stakes of Feminist Art Activism in the 1980s” Session IV: 3:15–4:30 p.m. ET Moderated by Robin Veder, executive editor of American Art, Smithsonian American Art Museum Julia Hamer-Light, SAAM Predoctoral Fellow in American Craft, University of Delaware “‘Made To Be Given’: Generosity as Methodology in Arthur Amiotte’s Collaborations”  Rachel M. Tang, Betsy James Wyeth Predoctoral Fellow in Native American Art, Harvard University “Please, after you: Lessons in Reciprocity and Archival Practice from Shan Goshorn” Friday, May 9 Session V: 1–2:45 p.m. ET Moderated by Lindsay Harris, head of the Research and Scholars Center, Smithsonian American Art Museum Renée Brown, Smithsonian Institution Predoctoral Fellow (joint SAAM and the Archives of American Art), Boston University  “Compress and Classify: Paul Vanderbilt's Microphotographic-Inventory for the Pennsylvania Museum of Art, 1938" Maeve Hogan, SAAM Predoctoral Fellow in American Craft and Big Ten Academic Alliance Smithsonian Fellow, University of Wisconsin–Madison “Between Utility and Art: Recovering Fiber-Based Craft Histories of the 1950s and 1960s” Jeannette Martinez, Terra Foundation for American Art Predoctoral Fellow, University of New Mexico “Hidden in Plain Sight: The Central American Presence in American Archives” Session VI: 3:15–5 p.m. ET Moderated by Melissa Ho, curator of twentieth-century art, Smithsonian American Art Museum Megan Baker, Smithsonian Institution Predoctoral Fellow, University of Delaware “The Fragile Bonds of Empire: John Singleton Copley's Pastel Portraits and the Art of Alliance” Ashley Duffey, William H. Truettner Predoctoral Fellow and Big Ten Academic Alliance Smithsonian Fellow, University of Minnesota “Bureaucratic Labors: Adoption's Social Work Photographies” Emma Oslé, Terra Foundation for American Art Predoctoral Fellow and Big Ten Academic Alliance Smithsonian Fellow, Rutgers University “Cuadros de Familia: Regarding the Family in Latinx Art” Since 1970, the museum has provided 790 scholars with financial aid, unparalleled research resources and a world-class network of colleagues. For more information about SAAM’s fellowship program and how to apply, see AmericanArt.si.edu/research/fellowships.

March 6, 2025
Smithsonian American Art Museum

ARIAH Announces New Board of Directors

The Association of Research Institutes in Art History (ARIAH) is pleased to announce the appointment of its new Board of Directors. This distinguished group of scholars and administrators from leading institutions across North America will guide ARIAH in its mission to support the future of art history through partnership and collaboration. The newly appointed Board of Directors includes: - Amelia Goerlitz, Chair: Chair of Academic Programs at the Smithsonian American Art Museum - Deborah L. Krohn, Vice-Chair: Professor and Chair of Academic Programs at Bard Graduate Center - Jemma Field, Secretary: Associate Director of Research at the Yale Center for British Art - Nan Wolverton, Treasurer: Vice President for Academic and Public Programs at the American Antiquarian Society - Nancy Um, Board Member: Associate Director for Research and Knowledge Creation at the Getty Research Institute - Luis Vargas-Santiago, Board Member: Academic Secretary at the Instituto de Investigaciones Estéticas, Universidad Nacional Autónoma de México - Erica Wall, Board Member: Director of the Lunder Institute for American Art, Colby College Museum of Art With a focus on internal growth, the new Board will work to refine ARIAH’s mission and enhance its core initiatives. ARIAH is committed to strengthening and promoting the work of its member institutions through partnership, dialogue, grant making, and advocacy for scholars.

March 6, 2025
Smithsonian American Art Museum

ARIAH Roundtable on American Art at CAA 2025

Outgoing ARIAH chair, Caroline Fowler, organized a panel at the 2025 College Art Association annual conference to discuss how member institutions are currently supporting research on American art, craft, and visual culture. Amelia Goerlitz, ARIAH's incoming Chair, described the Smithsonian American Art Museum's (SAAM) efforts to expand research opportunities, including a partnership with the National Museum of the American Indian and the Wyeth Foundation for American Art to create a fellowship in Indigenous American art, a growing area in the field. Curator and Director of Research, Fellowships, and University Partnerships Mindy Besaw discussed the Crystal Bridges Museum of Art's groundbreaking exhibition, Knowing the West, which explores how people see the American West through art. The Lunder Institute's Director Erica Wall presented results from the Lunder Institute @ initiative, which invites institutions across the nation to examine American art, its history, its future, and its ongoing evolution. Anne Helmreich, Director of the Archives of American Art, and Lindsay Harris, head of SAAM's Research and Scholars Center, described their collaboration to convene scholars, artists, and thought partners to consider the key terms framing American art at the nation's 250th anniversary in 2026. In response to reduced funding and the continued desire for professional opportunities and networking to strengthen communities, panel participants and attendees shared creative solutions they are pursuing, such as institutional partnerships, conversations about best practices, and inter-generational, two-way mentorship, all of which ARIAH supports as part of its mission. We look forward to future conversations about art scholarship across the Americas at ARIAH's annual meeting hosted by the Instituto de Investigaciones Estéticas in Mexico City in November 2025!

March 6, 2025
Yale Center for British Art

Register for Landscape Symposium at YCBA

Register for "A Legacy of Landscape Study" at the Yale Center for British Art co-sponsored with Oak Spring Garden Foundation.The Yale Center for British Art (YCBA) and Oak Spring Garden Foundation (OSGF) share a legacy of landscape study rooted in the collections of Paul and Rachel Lambert “Bunny” Mellon. While the Mellons’ collecting practices differed, they both gathered significant materials in the history of British environments, horticulture, and landscapes. Notable examples include Paul Mellon’s paintings and prints by George Stubbs and J. M. W. Turner and Bunny Mellon’s garden treatises and Humphrey Repton Red Books. From these origins, the YCBA’s extensive collection of British art has encouraged generations of new scholarship on British landscape art, while OSGF has become a leading research institution for the global histories and futures of gardens, landscapes, and plants. Inspired by this legacy of collecting and scholarship, the YCBA and OSGF are hosting a symposium at Yale to bring together new interdisciplinary research on British landscape studies.By commingling the diversity of approaches to the histories and depictions of landscapes and environments represented by the two institutions, this symposium aims to generate new scholarly conversation about the intersections of British culture, ecology, and land.This symposium will be held at Hastings Hall, Yale School of Architecture, on December 5–6, 2024. For more information, please email sarah.leonard@yale.edu. ‍

October 28, 2024
Lunder Institute

Lunder Institute Announces its 2024/2025 Fellows: Dylan Robinson and Legacy Russell

Lunder Institute announces that Dylan Robinson and Legacy Russell have been selected for yearlong fellowships with the Lunder Institute for American Art. Robinson and Russell are each multifaceted scholars whose practices include curatorial, scholarly, and creative aspects. Both fellowships will begin this month and span a full year, including opportunities for engagement with Colby’s campus community during the upcoming academic year.Robinson is a Stó:lō scholar and artist, and member of the Skwah First Nation. His curatorial work includes Soundings, a touring exhibition that features an ever-growing number of art-scores by Indigenous artists. Other work includes Caring for Our Ancestors, a project that seeks to reconnect kinship with Indigenous life incarcerated in museums. His book Hungry Listening: Resonant Theory for Indigenous Sound Studies examines Indigenous and settler colonial practices of listening.Russell is a curator and writer. Born and raised in New York City, she is the Executive Director & Chief Curator of the experimental arts institution The Kitchen. She will utilize her fellowship to advance her research on what she calls “networked” or “memetic” Blackness—the ways in which Black visual vernacular transmits memetically through and beyond cybercultures as a form of data transfer. Rising out of the thought surrounding her new book BLACK MEME, she is keen to take a new turn in spiraling outward from that research and instead explore further how the framework of the “meme” is applied as a form of performative cultural expression.Image: Dylan Robinson; Legacy Russell, photo by Mina Alyeshmerni.‍

October 28, 2024