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Association of Research Institutes in Art History
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is a consortium of research institutes dedicated to the study of arts and material culture. The consortium works to strengthen the work of its member institutions through partnership, dialogue, grant making, and advocacy for scholars.
Artist Tenants Association (New York, N.Y.) - Artist Tenants Association meeting announcements, 1966 - Artist Tenants Association records, 1959-1978 - Archives of American Art, Smithsonian Institution
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Center for Advanced Study in the Visual Arts (the Center)

National Gallery’s Center for Advanced Study in the Visual Arts Announces New Publication, Art &

The Center for Advanced Study in the Visual Arts (the Center), the National Gallery’s world-renowned research institute, recently announced Art &, its new book series aimed at understanding the role of art and artists in imagining a dynamic social fabric. The first volume, Art & Histories, was published on January 13, 2026. The second volume, Art & Water, will be published on July 7, 2026. Future volumes will be published annually in the summer. Each edition of Art & will invite artists and scholars to explore a central topic—histories, water, dreaming, and more—and how artistic practices, both past and present, shape society’s relationships to these issues. Academic exploration of the topics will be accompanied by an original, commissioned work of art created specifically for the book and in response to its theme. “As a series, Art & is an invitation to think about art together with the issues it shapes through material and imaginative expressions,” said Kaira M. Cabañas, the Center’s associate dean for academic programs and publications. “The ampersand in the title is intentional both typographically and conceptually. By foregrounding ‘&’ in the title, the series signals how art does not stand alone but is always already entangled with people, ideas, materials, networks, and communities, aligning with the National Gallery’s mission to welcome all people to explore and experience art, creativity, and our shared humanity.” Art & Histories features essays by Seeta Chaganti, Lisa Gail Collins, Lorraine Mendes and Igor Simões, Wanda Nanibush (Anishinaabe, Citizen of the Beausoleil Nation), Juno Richards, and Erhan Tamur, with an original work of art by Glexis Novoa. Art & advances the Center’s contributions to the scholarly community by including the perspectives of authors of varying generations and at different points in their careers, as well as from different parts of the country and the world, encouraging and introducing the future of art-historical scholarship in a widely available context. Each volume will be published simultaneously in print and open-access digital editions. Art & will be published by the National Gallery of Art and distributed by Yale University Press. Purchase your copy of Art & Histories today: https://yalebooks.yale.edu/book/9780300290387/art-and-histories/

March 5, 2026
Opportunity

CHAViC Summer Seminar

Ecology and Empire Monday, July 20 - Friday, July 24, 2026 Summer Seminars in Historic American Visual Culture American Antiquarian Society 185 Salisbury Street Worcester, MA 01609 United States The 2026 Center for Historic American Visual Culture (CHAViC) summer seminar will examine the intersections of ecology and empire in the nineteenth-century United States, when environments were sites of cultural encounter, conquest, and resistance. Participants will use an environmental humanities lens to explore topics of US territorial expansion, settler colonialism, and industrial and infrastructural development in both continental and global contexts. Through close study of the American Antiquarian Society’s extensive collections of prints, drawings, photographs, maps, and other primary sources, participants will consider visual representations of nature, including materials extracted from the natural world, that reveal colonial power, persuasion, and resistance. The seminar will expand on existing accounts of art and empire in the United States by introducing vanguard environmental humanities concepts and methods. Nineteenth-century practices of seeing, recording, and managing the natural world shaped enduring hierarchies of race, gender, and labor. The seminar will foreground transnational and Indigenous frameworks for the production and circulation of ecological knowledge. Participants will study a broad range of themes, including the visual and material culture of scientific expedition, surveying, natural history, extraction, conservation, gardens, and agriculture. Participants will also consider how ecological histories can inform and shape contemporary understandings of nature, stewardship, and belonging. This interdisciplinary seminar welcomes scholars and professionals from across fields, including American studies, art history, environmental history, history of science, geography, Indigenous studies, visual and material culture, and literary studies, among others. No prior experience in environmental humanities is required. In addition to time spent at AAS, participants will visit the New Bedford Whaling Museum to further expand our investigation of the connections between industry, ecology, and empire in nineteenth-century visual and material culture. Seminar Leader: Maggie M. Cao Maggie Cao is associate professor of art history and David G. Frey Scholar at the University of North Carolina at Chapel Hill. She studies the visual and material culture of globalization, particularly at the intersections of art, science, and economics in the eighteenth and nineteenth-century United States. Cao has published on media theory, material culture, and ecocriticism in both scholarly journals and on public-facing platforms. She is the author of two books: The End of Landscape in Nineteenth Century America (University of California Press, 2018), and Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025). Her current research focuses on artistic engagements with ecological time. She is also an editor of the interdisciplinary journal Grey Room. Guest speakers for the seminar will include Stacy Kamehiro (University of California, Santa Cruz), Alan Braddock (College of William and Mary), and other guests to be announced in February. Participation is intended for graduate students, college and university faculty, librarians, curators, and museum professionals. Accessibility CHAViC is committed to creating an environment that welcomes all people and meets their access needs. The AAS library and classroom facilities are wheelchair accessible. Other accommodations may be available upon advance request. Participants are encouraged to indicate any accessibility needs in their applications. Tuition Tuition for the five-day seminar is $1,000. This includes meals throughout the week and a day trip to the New Bedford Whaling Museum. Housing The cost of housing is not included in the tuition fee. Participants will have the option of staying in dormitory housing on the Worcester Polytechnic Institute campus (within easy walking distance of AAS) for approximately $80.00 per night. Contact For questions about the seminar, contact John J. Garcia, AAS director of scholarly programs and partnerships, at jgarcia@mwa.org or 508-471-2134.

February 16, 2026
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