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Association of Research Institutes in Art History
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is a consortium of research institutes dedicated to the study of arts and material culture. The consortium works to strengthen the work of its member institutions through partnership, dialogue, grant making, and advocacy for scholars.
Artist Tenants Association (New York, N.Y.) - Artist Tenants Association meeting announcements, 1966 - Artist Tenants Association records, 1959-1978 - Archives of American Art, Smithsonian Institution
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Latest News & opportunities

Opportunity

Spring 2027 Fields of the Future Fellowship at Bard Graduate Center

Bard Graduate Center (BGC) is pleased to continue the Fields of the Future fellowship and mentorship program for Spring 2027 (February 15 - June 15, 2027) in partnership with Sylvester Manor, a historic district of national significance on the New York and National Registers of Historic Places. Located on land that has been home for millennia to the Indigenous Manhansett People, Sylvester Manor is the most intact remnant of a former slaveholding plantation north of Virginia. The 236-acre site passed through eleven generations of Sylvester descendants, from 1652 until 2014, when heirs gifted it to the nonprofit Sylvester Manor organization. Over the past 374 years, Sylvester Manor has been a provisioning plantation, an Enlightenment-era farm, and a pioneering food industrialist’s summer estate. Today, it includes the 1737 Manor House, a restored nineteenth-century windmill, an Afro-Indigenous Burial Ground, and a working farm, with educational and cultural arts programs open to all. Sylvester Manor’s collections contain artifacts that reflect all eras of the estate and that represent the occupation of this land by the Sylvester family, ancestors, descendants, as well as individuals who worked on the property. For more information, visit www.sylvestermanor.org. For the Spring 2027 fellowship, the Fields of the Future fellow will research aspects of Sylvester Manor’s extensive and diverse collection of decorative art objects—ceramics, silver, textiles, and more—that reflect the Manor’s complex place in the wider Atlantic world. This work will culminate in a presentation at a convening of the Manor’s research partners in early June 2027. The fellow will be supported by BGC & Sylvester Manor research staff, with opportunities to utilize collections at Bard Graduate Center, Sylvester Manor, and elsewhere in New York City, as needed. Learn more about BGC’s research collections at www.bgc.bard.edu/library. The Fields of the Future fellowship aims to help promote diversity and inclusion in the advanced study of the material world. It reflects our commitment to explore and expand the sources, techniques, voices, and questions of interdisciplinary humanities scholarship from different perspectives. Please note that we prioritize applicants who have not yet held a BGC fellowship with us before. Scholars should have university, museum, or independent backgrounds and possess a PhD or equivalent professional experience. For more details on the application, please visit this webpage: https://www.bgc.bard.edu/bgc-research-fellowship.

April 17, 2026
Opportunity

CFP: Lacuna. Conservation, Law, and the Ethics of the Incomplete Information at Rome, Bibliotheca Hertziana, Dec. 2-5, 2026

In conservation practice, a lacuna is a site of rupture – a gap in the painted surface where figure and ground have been severed, where the material continuity of a work has been broken. Conservators have long understood this rupture as a form of violence, a visual disruption that prevents the viewer from apprehending the work as a coherent whole. Yet the practice they have developed in response is not simply one of repair. Following the foundational principles of Cesare Brandi (1906–1988), the ethical treatment of a lacuna does not seek to erase the gap but to hold it in a condition of productive tension: stabilizing the work, visually bridging the disruption through techniques of abstracted in-painting, while simultaneously insisting that the lacuna remain legible – that its presence continue to testify to the history of damage, loss, and time. This practice demands a particular kind of attention from the viewer. To encounter a conserved lacuna is to be asked to hold a double-visibility: to recognize both the compositional ambitions of the original work and the ongoing life of the object–marked by accident, neglect, structural violence, or iconoclasm. The lacuna does not disappear; it is ameliorated. What remains is neither the fiction of an intact original nor the spectacle of ruin, but something more demanding: a work that carries the evidence of its own history within it. To the art historian, the lacuna operates as a prompt rather than a deficit – an invitation to do cognitive and historical work. It forces an acknowledgment of the condition of the evidence on which the discipline relies, serving at once as testimony of institutional histories of care and neglect. It also compels historiographical reflection, as it carries direct consequences for canon formation. Lacunose works pose a limit to their display within the museum and legibility within art historical discourse. The lacuna works as a site of interpretation as much as a mechanism of exclusion: it prevents works from entering or remaining within the circuits of preservation, study, and value that constitute the canon. The conference is convened by Caroline Fowler and Francesca Borgo. Following “Wastework” (2023), “Loot & Repair” (2024) and “Rework” (2025), this is the fourth annual initiative organized by the BHMPI Lise Meitner Group Decay, Loss, and Conservation in Art History, furthering the Research Group’s ongoing inquiry into the consequences that different forms of loss, disappearance, and degradation bear for the discipline. To submit a proposal, please upload the following as PDF documents by May 11, 2026 on our platform: https://recruitment.biblhertz.it For more information: https://www.biblhertz.it/en/cfp-lacuna?c=2376430

April 7, 2026
Job

Manager of Administration and Strategic Initiatives

Reporting to the Director of the Lunder Institute for American Art (LIAA), the Manager of Administration and Strategic Initiatives plays a central role in translating the Institute’s goals and vision into effective operations and sustainable practices. Working closely with the Director, the Manager provides leadership in the planning, management, reconciliation, and evaluation of the Lunder Institute's budget and operations while overseeing the administrative and operational infrastructure that supports the Institute’s programs, fellowships, residencies, and initiatives. The Manager collaborates with the Manager of Fellowships and Programs, the Coordinator of Fellowships, and other Institute staff to operationalize the Institute’s mission and values through effective project management, administrative systems, and organizational processes. They support the Director in ensuring that budget and program administration processes and projects are completed efficiently and accurately, serving as a key liaison with the Colby Museum and Colby College finance teams. In this capacity, the Manager coordinates financial management activities, including reporting and reconciliation, and works with museum and College partners to prepare financial, demographic, and program information required for institutional and grant reporting. The Manager also oversees the day-to-day administrative and logistical functions of the Institute, including maintaining records and documentation, preparing meeting materials and presentations, coordinating communications with museum and College partners, and supporting special projects and institutional partnerships. They supervise interns supporting administrative and operational functions and serve as a primary logistics liaison for fellows, residents, and visiting scholars. In addition, the Manager coordinates the use and operations of Lunder Institute spaces and facilities, including those at the Greene Block + Studios and housing for fellows, working closely with Colby facilities and external partners. Through this work, the Manager represents the Lunder Institute across campus and within the broader community, helping to sustain, monitor, and communicate the Institute’s work through a strong finance, operations, and program management lens. To Apply: Interested candidates should apply electronically by clicking the “Apply Now” button on the Colby College website. Please upload a cover letter and resume to your application.

March 20, 2026
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