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Association of Research Institutes in Art History
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is a consortium of research institutes dedicated to the study of arts and material culture. The consortium works to strengthen the work of its member institutions through partnership, dialogue, grant making, and advocacy for scholars.
Artist Tenants Association (New York, N.Y.) - Artist Tenants Association meeting announcements, 1966 - Artist Tenants Association records, 1959-1978 - Archives of American Art, Smithsonian Institution
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Opportunity

CFP: Lacuna. Conservation, Law, and the Ethics of the Incomplete Information at Rome, Bibliotheca Hertziana, Dec. 2-5, 2026

In conservation practice, a lacuna is a site of rupture – a gap in the painted surface where figure and ground have been severed, where the material continuity of a work has been broken. Conservators have long understood this rupture as a form of violence, a visual disruption that prevents the viewer from apprehending the work as a coherent whole. Yet the practice they have developed in response is not simply one of repair. Following the foundational principles of Cesare Brandi (1906–1988), the ethical treatment of a lacuna does not seek to erase the gap but to hold it in a condition of productive tension: stabilizing the work, visually bridging the disruption through techniques of abstracted in-painting, while simultaneously insisting that the lacuna remain legible – that its presence continue to testify to the history of damage, loss, and time. This practice demands a particular kind of attention from the viewer. To encounter a conserved lacuna is to be asked to hold a double-visibility: to recognize both the compositional ambitions of the original work and the ongoing life of the object–marked by accident, neglect, structural violence, or iconoclasm. The lacuna does not disappear; it is ameliorated. What remains is neither the fiction of an intact original nor the spectacle of ruin, but something more demanding: a work that carries the evidence of its own history within it. To the art historian, the lacuna operates as a prompt rather than a deficit – an invitation to do cognitive and historical work. It forces an acknowledgment of the condition of the evidence on which the discipline relies, serving at once as testimony of institutional histories of care and neglect. It also compels historiographical reflection, as it carries direct consequences for canon formation. Lacunose works pose a limit to their display within the museum and legibility within art historical discourse. The lacuna works as a site of interpretation as much as a mechanism of exclusion: it prevents works from entering or remaining within the circuits of preservation, study, and value that constitute the canon. The conference is convened by Caroline Fowler and Francesca Borgo. Following “Wastework” (2023), “Loot & Repair” (2024) and “Rework” (2025), this is the fourth annual initiative organized by the BHMPI Lise Meitner Group Decay, Loss, and Conservation in Art History, furthering the Research Group’s ongoing inquiry into the consequences that different forms of loss, disappearance, and degradation bear for the discipline. To submit a proposal, please upload the following as PDF documents by May 11, 2026 on our platform: https://recruitment.biblhertz.it For more information: https://www.biblhertz.it/en/cfp-lacuna?c=2376430

April 7, 2026
Job

Manager of Administration and Strategic Initiatives

Reporting to the Director of the Lunder Institute for American Art (LIAA), the Manager of Administration and Strategic Initiatives plays a central role in translating the Institute’s goals and vision into effective operations and sustainable practices. Working closely with the Director, the Manager provides leadership in the planning, management, reconciliation, and evaluation of the Lunder Institute's budget and operations while overseeing the administrative and operational infrastructure that supports the Institute’s programs, fellowships, residencies, and initiatives. The Manager collaborates with the Manager of Fellowships and Programs, the Coordinator of Fellowships, and other Institute staff to operationalize the Institute’s mission and values through effective project management, administrative systems, and organizational processes. They support the Director in ensuring that budget and program administration processes and projects are completed efficiently and accurately, serving as a key liaison with the Colby Museum and Colby College finance teams. In this capacity, the Manager coordinates financial management activities, including reporting and reconciliation, and works with museum and College partners to prepare financial, demographic, and program information required for institutional and grant reporting. The Manager also oversees the day-to-day administrative and logistical functions of the Institute, including maintaining records and documentation, preparing meeting materials and presentations, coordinating communications with museum and College partners, and supporting special projects and institutional partnerships. They supervise interns supporting administrative and operational functions and serve as a primary logistics liaison for fellows, residents, and visiting scholars. In addition, the Manager coordinates the use and operations of Lunder Institute spaces and facilities, including those at the Greene Block + Studios and housing for fellows, working closely with Colby facilities and external partners. Through this work, the Manager represents the Lunder Institute across campus and within the broader community, helping to sustain, monitor, and communicate the Institute’s work through a strong finance, operations, and program management lens. To Apply: Interested candidates should apply electronically by clicking the “Apply Now” button on the Colby College website. Please upload a cover letter and resume to your application.

March 20, 2026
Opportunity

CHAViC Summer Seminar

Ecology and Empire Monday, July 20 - Friday, July 24, 2026 Summer Seminars in Historic American Visual Culture American Antiquarian Society 185 Salisbury Street Worcester, MA 01609 United States The 2026 Center for Historic American Visual Culture (CHAViC) summer seminar will examine the intersections of ecology and empire in the nineteenth-century United States, when environments were sites of cultural encounter, conquest, and resistance. Participants will use an environmental humanities lens to explore topics of US territorial expansion, settler colonialism, and industrial and infrastructural development in both continental and global contexts. Through close study of the American Antiquarian Society’s extensive collections of prints, drawings, photographs, maps, and other primary sources, participants will consider visual representations of nature, including materials extracted from the natural world, that reveal colonial power, persuasion, and resistance. The seminar will expand on existing accounts of art and empire in the United States by introducing vanguard environmental humanities concepts and methods. Nineteenth-century practices of seeing, recording, and managing the natural world shaped enduring hierarchies of race, gender, and labor. The seminar will foreground transnational and Indigenous frameworks for the production and circulation of ecological knowledge. Participants will study a broad range of themes, including the visual and material culture of scientific expedition, surveying, natural history, extraction, conservation, gardens, and agriculture. Participants will also consider how ecological histories can inform and shape contemporary understandings of nature, stewardship, and belonging. This interdisciplinary seminar welcomes scholars and professionals from across fields, including American studies, art history, environmental history, history of science, geography, Indigenous studies, visual and material culture, and literary studies, among others. No prior experience in environmental humanities is required. In addition to time spent at AAS, participants will visit the New Bedford Whaling Museum to further expand our investigation of the connections between industry, ecology, and empire in nineteenth-century visual and material culture. Seminar Leader: Maggie M. Cao Maggie Cao is associate professor of art history and David G. Frey Scholar at the University of North Carolina at Chapel Hill. She studies the visual and material culture of globalization, particularly at the intersections of art, science, and economics in the eighteenth and nineteenth-century United States. Cao has published on media theory, material culture, and ecocriticism in both scholarly journals and on public-facing platforms. She is the author of two books: The End of Landscape in Nineteenth Century America (University of California Press, 2018), and Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025). Her current research focuses on artistic engagements with ecological time. She is also an editor of the interdisciplinary journal Grey Room. Guest speakers for the seminar will include Stacy Kamehiro (University of California, Santa Cruz), Alan Braddock (College of William and Mary), and other guests to be announced in February. Participation is intended for graduate students, college and university faculty, librarians, curators, and museum professionals. Accessibility CHAViC is committed to creating an environment that welcomes all people and meets their access needs. The AAS library and classroom facilities are wheelchair accessible. Other accommodations may be available upon advance request. Participants are encouraged to indicate any accessibility needs in their applications. Tuition Tuition for the five-day seminar is $1,000. This includes meals throughout the week and a day trip to the New Bedford Whaling Museum. Housing The cost of housing is not included in the tuition fee. Participants will have the option of staying in dormitory housing on the Worcester Polytechnic Institute campus (within easy walking distance of AAS) for approximately $80.00 per night. Contact For questions about the seminar, contact John J. Garcia, AAS director of scholarly programs and partnerships, at jgarcia@mwa.org or 508-471-2134.

February 16, 2026
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