ARIAH logo in black
Association of Research Institutes in Art History

Internships, JObs, & Opportunities

Opportunity

CHAViC Summer Seminar

Ecology and Empire Monday, July 20 - Friday, July 24, 2026 Summer Seminars in Historic American Visual Culture American Antiquarian Society 185 Salisbury Street Worcester, MA 01609 United States The 2026 Center for Historic American Visual Culture (CHAViC) summer seminar will examine the intersections of ecology and empire in the nineteenth-century United States, when environments were sites of cultural encounter, conquest, and resistance. Participants will use an environmental humanities lens to explore topics of US territorial expansion, settler colonialism, and industrial and infrastructural development in both continental and global contexts. Through close study of the American Antiquarian Society’s extensive collections of prints, drawings, photographs, maps, and other primary sources, participants will consider visual representations of nature, including materials extracted from the natural world, that reveal colonial power, persuasion, and resistance. The seminar will expand on existing accounts of art and empire in the United States by introducing vanguard environmental humanities concepts and methods. Nineteenth-century practices of seeing, recording, and managing the natural world shaped enduring hierarchies of race, gender, and labor. The seminar will foreground transnational and Indigenous frameworks for the production and circulation of ecological knowledge. Participants will study a broad range of themes, including the visual and material culture of scientific expedition, surveying, natural history, extraction, conservation, gardens, and agriculture. Participants will also consider how ecological histories can inform and shape contemporary understandings of nature, stewardship, and belonging. This interdisciplinary seminar welcomes scholars and professionals from across fields, including American studies, art history, environmental history, history of science, geography, Indigenous studies, visual and material culture, and literary studies, among others. No prior experience in environmental humanities is required. In addition to time spent at AAS, participants will visit the New Bedford Whaling Museum to further expand our investigation of the connections between industry, ecology, and empire in nineteenth-century visual and material culture. Seminar Leader: Maggie M. Cao Maggie Cao is associate professor of art history and David G. Frey Scholar at the University of North Carolina at Chapel Hill. She studies the visual and material culture of globalization, particularly at the intersections of art, science, and economics in the eighteenth and nineteenth-century United States. Cao has published on media theory, material culture, and ecocriticism in both scholarly journals and on public-facing platforms. She is the author of two books: The End of Landscape in Nineteenth Century America (University of California Press, 2018), and Painting US Empire: Nineteenth-Century Art and Its Legacies (University of Chicago Press, 2025). Her current research focuses on artistic engagements with ecological time. She is also an editor of the interdisciplinary journal Grey Room. Guest speakers for the seminar will include Stacy Kamehiro (University of California, Santa Cruz), Alan Braddock (College of William and Mary), and other guests to be announced in February. Participation is intended for graduate students, college and university faculty, librarians, curators, and museum professionals. Accessibility CHAViC is committed to creating an environment that welcomes all people and meets their access needs. The AAS library and classroom facilities are wheelchair accessible. Other accommodations may be available upon advance request. Participants are encouraged to indicate any accessibility needs in their applications. Tuition Tuition for the five-day seminar is $1,000. This includes meals throughout the week and a day trip to the New Bedford Whaling Museum. Housing The cost of housing is not included in the tuition fee. Participants will have the option of staying in dormitory housing on the Worcester Polytechnic Institute campus (within easy walking distance of AAS) for approximately $80.00 per night. Contact For questions about the seminar, contact John J. Garcia, AAS director of scholarly programs and partnerships, at jgarcia@mwa.org or 508-471-2134.

February 16, 2026
Opportunity

Audrey Flack Short-Term Fellowship at SAAM - Deadline: Feb 1

The Smithsonian American Art Museum invites applications by February 1st for the Audrey Flack Short-Term Fellowship, generously supported by artist Audrey Flack (1931–2024). Inspired by her own journey balancing a distinguished career with raising two daughters, one of whom has autism, Flack established this award to support scholars whose personal circumstances may make longer residencies difficult. More information and the application link are available at https://americanart.si.edu/research/fellowships/audrey-flack. Award: One fellowship granted annually Residency length: One month (30 days) Residency period: June 1, 2026 – May 31, 2027 Stipend: $5,000 Travel allowance: $100–$1,000 (to support temporary relocation to Washington, D.C.) Housing: Not provided Eligibility: Open to predoctoral, postdoctoral, and senior scholars researching topics in American art. Applicants must reside, work, or attend school outside commuting distance of Washington, D.C. Scholars whose personal circumstances (financial constraints, employment conditions, caregiving responsibilities, or other limitations) preclude participation in longer-term residencies are especially encouraged to apply. Applicants must include a statement explaining the rationale for a short-term fellowship. Applicants must identify a member of SAAM’s research staff to serve as their primary fellowship advisor. Projects requiring access to SAAM’s collections and staff expertise are prioritized, though proposals utilizing other Smithsonian resources are also eligible.

December 15, 2025
Opportunity

Apply for a Center fellowship

Established in 1979 as a division of the National Gallery of Art, the Center for Advanced Study in the Visual Arts is among the United States’ leading research centers, fostering the study of art, artifacts, architecture, urbanism, photography, and film from all places and periods. The Center awards fellowships to scholars across various career levels, from predoctoral students to senior professionals. We host around 20 fellows at any given time at the National Gallery of Art and support predoctoral fellows conducting research around the world. Fellows are at the heart of our residential community, joining appointed professors, postdoctoral research associates, undergraduate interns, and staff to create a thriving group of approximately 50 people. Fellows who relocate are provided office space in the National Gallery’s East Building and housing nearby, subject to availability. Throughout the academic year, fellows have opportunities to share their research at weekly gatherings and are encouraged to attend lectures, symposia, tours, and gallery talks organized by the Center. We’re pleased to welcome applications for the following fellowships: Visiting senior fellowships Award period: one two-month period between March 1 and August 15, 2026 Application deadline: September 21, 2025 Senior fellowships Award period: September 2026–May 2027, or a single semester therein Application deadline: October 15, 2025 Postdoctoral fellowships Award period: September 2026–August 2028 Application deadline: October 15, 2025 Predoctoral dissertation fellowships Award period: one to three years beginning September 2026 Application deadline: November 15, 2025 Learn more about our fellowships and how to apply: https://www.nga.gov/research/center/fellowships If you have questions about our fellowship program that aren’t included in our FAQs, please email TheCenter@nga.gov.

August 22, 2025
Opportunity

Apply for a 2026–2027 Fellowship at the Smithsonian American Art Museum

The Smithsonian American Art Museum (SAAM) and its Renwick Gallery invite applications to its premier fellowship program, the oldest and largest in the world for the study of American art. Scholars from any discipline whose research engages the art, craft, and visual culture of the United States are encouraged to apply, as are those who foreground new perspectives, materials, and methodologies. Fellowships are residential and support full-time research in the Smithsonian collections. SAAM is devoted to advancing excellence in art history and encourages candidates from all backgrounds to apply. Each fellow is provided a carrel in SAAM’s Research and Scholars Center. There, they have access to the museum’s collection of over 46,500 works, specialized study collections and databases, the Smithsonian’s Archives of American Art, and an 180,000-volume branch library specializing in American art. The Research and Scholars Center is a short walk from other Smithsonian museums and libraries, the Library of Congress, the National Archives, and the National Gallery of Art. Regular workshops, seminars, and lectures provide a forum for lively scholarly exchange and professional advancement. Candidates may apply to one or more of the following three opportunities: • SAAM and SIFP Fellowships: SAAM hosts fellows through the Smithsonian Institution Fellowship Program (SIFP) and also awards a number of named fellowships to graduate, predoctoral, postdoctoral, and senior candidates from this general pool. Deadline: October 15, 2025. • The Betsy James Wyeth Fellowship in Native American Art: This joint fellowship at SAAM and the National Museum of the American Indian is awarded for a twelve-month term at the predoctoral level or a nine-month term at the postdoctoral or senior level. Deadline: October 15, 2025. • The Audrey Flack Short-Term Fellowship: One fellowship is awarded at the predoctoral, postdoctoral, or senior level for a one-month term. Deadline: February 1, 2026. Learn more at https://americanart.si.edu/research/fellowships/apply

July 28, 2025
Opportunity

Apply for a Residential Fellowship at the Getty Research Institute, 2026-27

For the 2026-27 scholar year, the Getty Scholars Program invites innovative proposals for projects that explore provenance and adjacent research areas, including but not limited to the history of collecting, the study of the art market, the role of provenance research in repatriation and reparation, and broader explorations around the ownership of art objects. The scholar cohort will be invited to examine and critique the arena of provenance studies while also envisioning its future, situated between the practices and demands of source communities, art historians, museums, and the market. Applicants are invited for projects, either individual or collaborative, that reflect upon the ownership, transfer, and movement of art objects from all world regions and time periods. While in residence, scholars will have the opportunity to delve into the Getty Research Institute’s vast collection of rare materials that support provenance research and to explore the newly remodeled Getty Provenance Index, which lays the ground for cutting-edge computational approaches to the field. The full description and eligibility requirements can be found here: https://gty.art/scholars In addition, Library Research Grants are available to those who are interested in exploring GRI collections on a short-term basis and are made by separate application. For more information visit: https://gty.art/libraryresearchgrants The application cycle will open on July 1, 2025.

June 20, 2025
Job

Head Curator

The Colby College Museum of Art seeks an experienced, imaginative, strategic, and collaborative leader to serve as head curator. Reporting to the Colby Museum’s director, the head curator is part of the museum’s senior leadership team, advancing the overarching mission and goals of the museum and the College. They lead the curatorial staff, directing the curatorial contribution to the Colby Museum’s artistic, research, and interpretive vision. The head curator supervises and mentors five full-time staff as well as student interns, ensuring teamwork, effective management, and innovative work that is also pragmatic in its approach. They lead the development of a multi-year exhibition schedule, including Colby-organized projects that travel to other venues, in partnership with the museum’s director and the director of exhibitions and publications. They shape and enact the collections development strategy, and oversee acquisitions and deaccessions with guidance from the Collections and Impact Committee of the museum board of governors. They direct the ongoing research and presentation of its renowned collection, and partner with collections and operations staff to ensure the comprehensive stewardship of the museum’s holdings. They collaboratively develop accessible interpretation strategies with the engagement team and other constituencies. The head curator partners with the Lunder Institute for American Art to help identify mission-aligned opportunities related to fellowships, programming, and areas of inquiry that can benefit from research, field-wide dialogue, and documentation. Beyond these responsibilities, The head curator curates a selection of projects within the multi-year cycle of exhibitions and museum publications, and contributes new scholarship.

May 27, 2025
Opportunity

Summer Seminar: Nineteenth-Century American Photography in the World

This summer, the American Antiquarian Society (AAS) is offering a week-long seminar on nineteenth-century photography. “Nineteenth-Century American Photography in the World” will be led by two art historians, Monica Bravo (Princeton University) and Emily Voelker (University of North Carolina, Greensboro), who specialize in this field. Participants will explore a variety of nineteenth-century photographic processes and formats using the AAS's graphic arts collection. The seminar addresses topics such as materiality, transpacific trade networks, and representations of Indigenous and diasporic populations in the United States and around the world. Guest speakers include curators and practicing artists specializing in African American and Indigenous art and photography. For more information about “Nineteenth-Century American Photography in the World,” please consult the seminar webpage: https://www.americanantiquarian.org/nineteenth-century-american-photography Tuition for the seminar is $850, which includes meals throughout the week and a visit to the Peabody Essex Museum in Salem, MA to view its photograph collection. Graduate students and early career scholars will be eligible for tuition scholarships. “Nineteenth-Century American Photography in the World” is offered through the AAS’s Center for Historic American Visual Culture (CHAViC). For more on CHAViC, see its webpage: https://www.americanantiquarian.org/chavic For questions about the seminar, contact jgarcia@mwa.org or 508-471-2134.

March 11, 2025
Job

Chief Communication Officer (CCO)

JOB SUMMARY Chief Communication Officer is a key member of the CCA’s leadership team and responsible for the overarching effective direction and leadership of the institution-wide marketing, communication and audience engagement strategies. Working collaboratively with leadership and other key stakeholders, they will develop an integrated communications plan that supports the CCA’s goals and values and will communicate it effectively across extensive networks. The position balances the CCA’s multiple commitments to provide broad access to specialized publics as a research institution with building brand awareness and visibility globally. They will demonstrate excellence by identifying strategic communication opportunities for the CCA and will generate renewed interest in the larger CCA community in Montreal, Canada and internationally, including donors, architects, design professionals, scholars, students, alumni, and other partners. This role also facilitates government relations, ensuring positive engagement with public authorities, and collaborates closely with Advancement to support fundraising efforts through integrated communications. For the full job description, please visit our CCA Careers page using the link below. Please submit your application (résumé and cover letter) via our CCA Careers Page (https://careers.smartrecruiters.com/CCA1/careers) no later than February 23, 2025, to the attention of the People and Culture Division of the Canadian Centre for Architecture. Only selected candidates will be contacted. The CCA is an equal opportunity employer and encourages diversity. The CCA invites anyone having the qualifications listed in the job posting to apply.

January 27, 2025
Opportunity

Davidson Family Fellowship

Now taking applications for the Davidson Family Fellowship The Amon Carter Museum of American Art invites applications for the 2025–2026 Davidson Family Fellowship. The fellowship provides support for scholars holding a PhD (or equivalent) or PhD candidates to work on research projects in American art that advance scholarship by connecting with objects in the museum’s permanent collection. The stipend rate is $5,000 per month for a minimum one-month to a maximum four-month period of full-time research at the museum. During their stay, all fellows are expected to actively participate in the scholarly life of the Museum, and at the end of their appointment they are asked to present research progress in the form of a lecture or roundtable discussion. The application deadline is June 27, 2025, for a fellowship to begin on or after October 1, 2025, and end by September 30, 2026. Housing and travel expenses are to be managed and funded by the fellow. Full description and application form. https://www.cartermuseum.org/research-carter/fellowships https://www.cartermuseum.org/research-carter/fellowships/davidson-family-fellowship-application Located in the heart of Fort Worth’s Cultural District, the Amon Carter Museum of American Art explores the breadth and complexity of American creativity. Through an expansive collection, and by presenting world-class exhibitions, sharing dynamic events, sparking cutting-edge research, and more, we offer visitors new ways to encounter and understand American art. The Museum collects the best examples of American artistic creativity by some of the biggest names in art history, with works from the 18th century to the present day. From paintings and sculptures to photographs and works on paper, there’s something for everyone in our galleries! And what’s on view is regularly changing, so each time you visit you’ll see something you haven’t seen before. https://www.cartermuseum.org/

January 24, 2025
Opportunity

Visiting Fellowship

Call for Visiting Fellowship Applications The fellowship programs at Bard Graduate Center are designed to further the institution’s goal of promoting research in the areas of decorative arts, design history, and material culture—what we call “cultural histories of the material world.” We invite scholars from university, museum, and independent backgrounds with a PhD or equivalent professional experience to apply for non-stipendiary Visiting Fellowships to take place during the 2025–26 academic year. Intended for scholars who have already secured means of funding, these fellowships provide scholars with workspace in the BGC Research Center and enable them to join our dynamic, intellectual, and scholarly community in New York City. Visiting Fellowships represent BGC’s commitment to conversation and scholarly communication. We are happy to welcome scholars who similarly seek a serious but informal intellectual environment in which to pursue their work in decorative arts, design history, and material culture. Visiting Fellows are invited for four months in the fall or spring semester, though we may consider exceptions under unique circumstances. We do not reimburse fellows for travel, relocation, housing, or visa-related costs in connection with this fellowship award. Please note that we prioritize applicants who have not previously held a BGC fellowship. Applications are due Saturday, March 1, 2025, at 11:59 pm EST. More details here: https://www.bgc.bard.edu/bgc-visiting-fellowships.

February 18, 2025
Job

Early Career Research and Program Assistant

The Early-Career Research and Program Assistant position is an opportunity for an early-career scholar in art history to be part of an art history research program and community, known as the Research and Academic Program (RAP) at the Clark Art Institute. We are a fellowship program for mid-career and senior art historians, artists, and critics, housed within the Clark Art Institute. We host lectures and seminars and engage actively in the field of art history internationally. The position is intended for an individual preparing to pursue a PhD in art history or related disciplines and offers experience in non-profit arts administration. The ideal candidate will have a Masters’s in Art History or closely aligned discipline. This is a twelve- to eighteen-month position (depending on start date) with the possibility of an extension up to one year. Ideally the candidate should be comfortable with and enjoy engaging with a diverse group of scholars from around the world, and be interested in pursuing advanced research in the history of art. For more information: The Early-Career Research and Program Assistant position is an opportunity for an early-career scholar in art history to be part of an art history research program and community, known as the Research and Academic Program (RAP) at the Clark Art Institute. We are a fellowship program for mid-career and senior art historians, artists, and critics, housed within the Clark Art Institute. We host lectures and seminars and engage actively in the field of art history internationally. The position is intended for an individual preparing to pursue a PhD in art history or related disciplines and offers experience in non-profit arts administration. The ideal candidate will have a Masters’s in Art History or closely aligned discipline. This is a twelve- to eighteen-month position (depending on start date) with the possibility of an extension up to one year. Ideally the candidate should be comfortable with and enjoy engaging with a diverse group of scholars from around the world, and be interested in pursuing advanced research in the history of art.

January 2, 2025
Opportunity

2025-2026 Audrey Flack Short-Term Fellowship

Applications are invited for the Audrey Flack Short-Term Fellowship at the Smithsonian American Art Museum. The deadline to apply is February 1. The renowned artist Audrey Flack (1931–2024) generously established this short-term award in recognition of her personal journey balancing intensive career demands with raising two daughters, one of whom has autism. A single Audrey Flack Short-Term Fellowship will be awarded annually in support of a one-month (30-day) residency. Residencies must take place between June 1, 2025, and May 31, 2026, and begin on the 1st or 15th of the month. The Audrey Flack Short-Term Fellow will receive a stipend of $5,000 to support travel to and living expenses in Washington, D.C. Housing is not provided. The Audrey Flack Short-Term Fellowship is open to predoctoral, postdoctoral, and senior scholars researching topics in American art who reside, work, or attend school outside of commuting distance from Washington, D.C. Researchers whose personal circumstances (i.e., financial constraints, employment conditions, care-giving responsibilities, or other limitations) preclude them from participating in longer-term residencies are encouraged to apply. Applicants should submit a statement of need justifying the rationale for a short-term fellowship. More information on submitting an application can be found on our How to Apply page. Applicants must identify a member of SAAM’s research staff to serve as the primary fellowship advisor. Projects that require access to SAAM’s collections and staff expertise are prioritized, although those that utilize other Smithsonian resources are eligible. Learn more and apply at https://americanart.si.edu/research/fellowships/audrey-flack

January 2, 2025
Job

Postdoctoral Associate in Academic Affairs

The Yale Center for British Art (YCBA) is offering a Postdoctoral Associate position of one year, with the possibility of renewal for a total of three years, in the department of Academic Affairs. This postdoctoral position is for candidates who have completed a PhD in art history, museology, cultural heritage, or a related field. It is expected that the postholder will pursue long-term professional employment during the period of hire. Reporting to the Head of Academic Affairs, the Postdoctoral Associate will contribute to the research and programmatic activities of the department and will work with colleagues across the museum. Specifically, the postholder will take a leading role in the development and management of the YCBA’s renowned Residential Fellows program, advance programming initiatives in collaboration with the Paul Mellon Centre for British Art in London, and create scholarly programs in support of the museum’s collections and exhibition schedule. The postholder will be fully integrated into the department of Academic Affairs and will have the opportunity to participate in the Fellows Forum, an informal professional-development platform for associates and fellows across the YCBA and the Yale University Art Gallery. The closing date for applications is January 6, 2025. Applicants must have completed the PhD by the closing date. For salary information, please refer to Yale’s compensation policies for postdoctoral appointments. The intended start date for this position is March 1, 2025, and will be negotiated with the successful applicant. Application materials should be sent by email and must include a cover letter, curriculum vitae, recent writing sample of a longform scholarly essay, either published or unpublished, and two letters of recommendation. Please send all application materials to ycba.research@yale.edu with the subject line “Postdoctoral Associate Application.” For inquiries about the position, please contact Jemma Field, Associate Director of Research, at jemma.field@yale.edu.

December 5, 2024