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Association of Research Institutes in Art History

Member institution news

Smithsonian American Art Museum

ARIAH Roundtable on American Art at CAA 2025

Outgoing ARIAH chair, Caroline Fowler, organized a panel at the 2025 College Art Association annual conference to discuss how member institutions are currently supporting research on American art, craft, and visual culture. Amelia Goerlitz, ARIAH's incoming Chair, described the Smithsonian American Art Museum's (SAAM) efforts to expand research opportunities, including a partnership with the National Museum of the American Indian and the Wyeth Foundation for American Art to create a fellowship in Indigenous American art, a growing area in the field. Curator and Director of Research, Fellowships, and University Partnerships Mindy Besaw discussed the Crystal Bridges Museum of Art's groundbreaking exhibition, Knowing the West, which explores how people see the American West through art. The Lunder Institute's Director Erica Wall presented results from the Lunder Institute @ initiative, which invites institutions across the nation to examine American art, its history, its future, and its ongoing evolution. Anne Helmreich, Director of the Archives of American Art, and Lindsay Harris, head of SAAM's Research and Scholars Center, described their collaboration to convene scholars, artists, and thought partners to consider the key terms framing American art at the nation's 250th anniversary in 2026. In response to reduced funding and the continued desire for professional opportunities and networking to strengthen communities, panel participants and attendees shared creative solutions they are pursuing, such as institutional partnerships, conversations about best practices, and inter-generational, two-way mentorship, all of which ARIAH supports as part of its mission. We look forward to future conversations about art scholarship across the Americas at ARIAH's annual meeting hosted by the Instituto de Investigaciones Estéticas in Mexico City in November 2025!

March 6, 2025
Yale Center for British Art

Register for Landscape Symposium at YCBA

Register for "A Legacy of Landscape Study" at the Yale Center for British Art co-sponsored with Oak Spring Garden Foundation.The Yale Center for British Art (YCBA) and Oak Spring Garden Foundation (OSGF) share a legacy of landscape study rooted in the collections of Paul and Rachel Lambert “Bunny” Mellon. While the Mellons’ collecting practices differed, they both gathered significant materials in the history of British environments, horticulture, and landscapes. Notable examples include Paul Mellon’s paintings and prints by George Stubbs and J. M. W. Turner and Bunny Mellon’s garden treatises and Humphrey Repton Red Books. From these origins, the YCBA’s extensive collection of British art has encouraged generations of new scholarship on British landscape art, while OSGF has become a leading research institution for the global histories and futures of gardens, landscapes, and plants. Inspired by this legacy of collecting and scholarship, the YCBA and OSGF are hosting a symposium at Yale to bring together new interdisciplinary research on British landscape studies.By commingling the diversity of approaches to the histories and depictions of landscapes and environments represented by the two institutions, this symposium aims to generate new scholarly conversation about the intersections of British culture, ecology, and land.This symposium will be held at Hastings Hall, Yale School of Architecture, on December 5–6, 2024. For more information, please email sarah.leonard@yale.edu. ‍

October 28, 2024
Lunder Institute

Lunder Institute Announces its 2024/2025 Fellows: Dylan Robinson and Legacy Russell

Lunder Institute announces that Dylan Robinson and Legacy Russell have been selected for yearlong fellowships with the Lunder Institute for American Art. Robinson and Russell are each multifaceted scholars whose practices include curatorial, scholarly, and creative aspects. Both fellowships will begin this month and span a full year, including opportunities for engagement with Colby’s campus community during the upcoming academic year.Robinson is a Stó:lō scholar and artist, and member of the Skwah First Nation. His curatorial work includes Soundings, a touring exhibition that features an ever-growing number of art-scores by Indigenous artists. Other work includes Caring for Our Ancestors, a project that seeks to reconnect kinship with Indigenous life incarcerated in museums. His book Hungry Listening: Resonant Theory for Indigenous Sound Studies examines Indigenous and settler colonial practices of listening.Russell is a curator and writer. Born and raised in New York City, she is the Executive Director & Chief Curator of the experimental arts institution The Kitchen. She will utilize her fellowship to advance her research on what she calls “networked” or “memetic” Blackness—the ways in which Black visual vernacular transmits memetically through and beyond cybercultures as a form of data transfer. Rising out of the thought surrounding her new book BLACK MEME, she is keen to take a new turn in spiraling outward from that research and instead explore further how the framework of the “meme” is applied as a form of performative cultural expression.Image: Dylan Robinson; Legacy Russell, photo by Mina Alyeshmerni.‍

October 28, 2024