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Association of Research Institutes in Art History

Internships, JObs, & Opportunities

Opportunity

Apply for a Residential Fellowship at the Getty Research Institute, 2026-27

For the 2026-27 scholar year, the Getty Scholars Program invites innovative proposals for projects that explore provenance and adjacent research areas, including but not limited to the history of collecting, the study of the art market, the role of provenance research in repatriation and reparation, and broader explorations around the ownership of art objects. The scholar cohort will be invited to examine and critique the arena of provenance studies while also envisioning its future, situated between the practices and demands of source communities, art historians, museums, and the market. Applicants are invited for projects, either individual or collaborative, that reflect upon the ownership, transfer, and movement of art objects from all world regions and time periods. While in residence, scholars will have the opportunity to delve into the Getty Research Institute’s vast collection of rare materials that support provenance research and to explore the newly remodeled Getty Provenance Index, which lays the ground for cutting-edge computational approaches to the field. The full description and eligibility requirements can be found here: https://gty.art/scholars In addition, Library Research Grants are available to those who are interested in exploring GRI collections on a short-term basis and are made by separate application. For more information visit: https://gty.art/libraryresearchgrants The application cycle will open on July 1, 2025.

June 20, 2025
Job

Head Curator

The Colby College Museum of Art seeks an experienced, imaginative, strategic, and collaborative leader to serve as head curator. Reporting to the Colby Museum’s director, the head curator is part of the museum’s senior leadership team, advancing the overarching mission and goals of the museum and the College. They lead the curatorial staff, directing the curatorial contribution to the Colby Museum’s artistic, research, and interpretive vision. The head curator supervises and mentors five full-time staff as well as student interns, ensuring teamwork, effective management, and innovative work that is also pragmatic in its approach. They lead the development of a multi-year exhibition schedule, including Colby-organized projects that travel to other venues, in partnership with the museum’s director and the director of exhibitions and publications. They shape and enact the collections development strategy, and oversee acquisitions and deaccessions with guidance from the Collections and Impact Committee of the museum board of governors. They direct the ongoing research and presentation of its renowned collection, and partner with collections and operations staff to ensure the comprehensive stewardship of the museum’s holdings. They collaboratively develop accessible interpretation strategies with the engagement team and other constituencies. The head curator partners with the Lunder Institute for American Art to help identify mission-aligned opportunities related to fellowships, programming, and areas of inquiry that can benefit from research, field-wide dialogue, and documentation. Beyond these responsibilities, The head curator curates a selection of projects within the multi-year cycle of exhibitions and museum publications, and contributes new scholarship.

May 27, 2025
Opportunity

Summer Seminar: Nineteenth-Century American Photography in the World

This summer, the American Antiquarian Society (AAS) is offering a week-long seminar on nineteenth-century photography. “Nineteenth-Century American Photography in the World” will be led by two art historians, Monica Bravo (Princeton University) and Emily Voelker (University of North Carolina, Greensboro), who specialize in this field. Participants will explore a variety of nineteenth-century photographic processes and formats using the AAS's graphic arts collection. The seminar addresses topics such as materiality, transpacific trade networks, and representations of Indigenous and diasporic populations in the United States and around the world. Guest speakers include curators and practicing artists specializing in African American and Indigenous art and photography. For more information about “Nineteenth-Century American Photography in the World,” please consult the seminar webpage: https://www.americanantiquarian.org/nineteenth-century-american-photography Tuition for the seminar is $850, which includes meals throughout the week and a visit to the Peabody Essex Museum in Salem, MA to view its photograph collection. Graduate students and early career scholars will be eligible for tuition scholarships. “Nineteenth-Century American Photography in the World” is offered through the AAS’s Center for Historic American Visual Culture (CHAViC). For more on CHAViC, see its webpage: https://www.americanantiquarian.org/chavic For questions about the seminar, contact jgarcia@mwa.org or 508-471-2134.

March 11, 2025